In December, ACE traveled to Italy to present on the Global Jukebox at a conference hosted by the Fondazione Ignazio Buttitta in Palermo, and to attend a repatriation of Lomax recordings and photos in Calabria.
The Association for Cultural Equity (ACE) is now accepting applications for the position of Executive Director. We are looking for a visionary leader for our organization, which is committed to sustaining the world’s expressive traditions through preservation, research, dissemination and reconnecting communities with their cultural heritage.
Anna Lomax Wood, the visionary longtime head of the Association for Cultural Equity, is leaving the role of President and Executive Director after 26 years . While she is leaving these positions, Anna will still be quite active in the organization and its work until a new Director is able to take over and will remain on the board as Co-Founder of the organization.
At a time when diversity and equity in music education is critical, the Global Jukebox offers a brand-new set of resources for K-12 learners and their teachers. Star-Songs and Constellations is a ready-made sequence of educational resources in music and its sonic, cultural and social meanings, for both in-person and online learning. Its curricular core of 40 plus K-12 lessons spring directly from recordings within The Global Jukebox.
Songs of Earth: Aesthetic and Social Codes in Music, by Anna L. Wood and published by the Association for Cultural Equity, is available for pre-order now!
This October 9th marked the unveiling of the John Avery Lomax Literary Landmark at the John A. Lomax Amphitheater in Meridian, Texas, as one of the four sites presented with the distinction in Texas in 2021.
Literary Landmarks are designated sites located across the country that attract tourists, book lovers, and history buffs to educate the public about important literary works and history.
August 30, 2021, was the 70-year anniversary of the 1951 Edinburgh People’s Festival Ceilidh, the seminal event that heralded and generated the Scottish Folk Revival of the 1960s. Alan Lomax was on hand to record it in the Oddfellows Hall, and thus able to preserve a document of a legendary concert that alerted the astonished urban audience to the continuing vitality of Scotland’s rich heritage of traditional song.
